“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.
“I think you are abusing your power, and I find it hard to believe that you have thought it through thoroughly.” Norway’s largest newspaper, Aftenposten, has published a front-page letter to Mark Zuckerberg after Facebook censored an iconic image from the Vietnam war. The Pulitzer Prize-winning photograph of a naked nine-year-old Kim Phúc running away from a napalm attack was deleted from a post about seven images “that changed the history of warfare.”
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.