Robert Krulwich takes on two very different types of “nothing.” As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, “nothing” is a lot more complicated than you might initially believe.
Nothing Is Not Like Nothing
Marable’s Works Donated
The late Pulitzer-Prize winning historian Dr. Manning Marable “informed his family that one of his passing wishes was to make his work available to incarcerated individuals.” His collection of authored works has recently been donated by his family to Otisville Correctional Facility.
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The Experience of Being Human
Recommended Reading: Over at BOMB Magazine, Jesse Ball and Catherine Lacey discuss strategies for a non-interview, why they write, and poetry’s “direct utility toward experience.”
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Modern Anxiety
"I think dystopian novels are really about present anxiety, aren’t they?" Chang-rae Lee said in an interview for the Daily Beast's "How I Write" series. His dystopian novel, On Such a Full Sea, was part of our 2014 book preview.
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That’s a Mouthful
The longest word in the English language is not antidisestablishmentarianism. Nor is it supercalifragilisticexpialidocious. It is, in fact, the chemical name of titin, the largest known protein. And now you can listen to all 189,819 letters of it being pronounced. Bonus points if you work it into your next conversation.
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Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
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Inside Coetzee’s Head
J. M. Coetzee has published The Good Story: Exchanges on Truth, Fiction and Psychotherapy with psychologist Arabella Kurtz, which details the five-year correspondence between the two. The letters offer “a rare opportunity to understand the mind of a writer who almost never speaks at length in his own voice.” For more of the Nobel laureate, read our review of The Childhood of Jesus.
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