Here’s another book that will be in our July “Most Anticipated Books” round up: Sweet Tooth by Ian McEwan, said to be set in 1972 and follow a female spy who is a compulsive reader of novels.
“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
I’m not that into ballet, but if I had to be, I’d be into 1,000 frame-per-second footage of German ballet dancers prancing around to a dance-y remix of Radiohead’s “Everything In Its Right Place.”
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor’s influence in a piece on Noy Holland’s new book.