Here’s another book that will be in our July “Most Anticipated Books” round up: Sweet Tooth by Ian McEwan, said to be set in 1972 and follow a female spy who is a compulsive reader of novels.
Duke University Press is set to begin publishing a transgender studies journal in 2014. TSQ: Transgender Studies Quarterly will be “the first nonmedical journal dedicated to transgender studies.”
Biographer and novelist Penelope Fitzgerald of the Booker Prized novel Offshore, was born on this day in 1916. Ranked twenty-third on the London Times 2008 list of “Britain’s Fifty Greatest Writers Since WWII,” Fitzgerald didn’t begin her twenty-year writing career until age fifty-eight. Can we say Post-40 Bloomer?
Warren Ellis’s Dead Pig Collector was released this week as a Kindle Single, and with it came a whole heap of extras. To wit: there’s an online excerpt, an author interview, another piece of fiction, and also an accompanying music playlist created by the author. (In that interview, he remarks that his next novel will be based on this talk he gave two years ago.)
2012 could be the year that we get to know Sergei Dovlatov, and our own Sonya Chung may have played a role. Her 2009 piece on the forgotten Russian humorist helped land one of his stories in PEN America. Soon we started seeing Dovlatov mentioned everywhere, and last year, Counterpoint published The Suitcase, and now The Zone will be released this week. Other new releases this week: An Available Man by Hilma Wolitzer, Heft by Liz Moore, and The Evening Hour, a debut novel by Carter Sickels.
Our own Bill Morris has a new novel on shelves this week, which you can learn more about in his recent conversation with our own Edan Lepucki. Also out: A Man Called Ove by Fredrik Backman; Wayfaring Stranger by James Lee Burke; All I Love and Know by Judith Frank; Evergreen by Rebecca Rasmussen; The Hour of Lead by Bruce Holbert; The Spark and the Drive by Wayne Harrison; Owen’s Daughter by Jo-Ann Mapson; and Season to Taste by Natalie Young.
We once wondered if Lionel Shriver is America’s best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin “is a far better film than I had any reason to expect them to be able to make.”