Marilynne Robinson has a new essay (excerpted from her new book When I Was a Child I Read Books) out in Guernica, and if you’re still reading this sentence because you haven’t yet clicked the link, that’s incredible.
New Marilynne!
Apply for the Anisfield-Wolf Fellowship!
February 1st is the application deadline for the Cleveland State University Poetry Center Anisfield-Wolf Fellowship in Writing and Publishing. It’s a two year post-graduate fellowship that offers $40,000 per year while you work on completing a second book or starting a first. Apply now!
How Did I Get Here?
It looks like Rowan Ricardo Phillips is the new basketball columnist for The Paris Review. His first piece is a bit of an introduction into his own basketball life. We’ve brought you a couple roundball–related pieces in the past.
Text Turns to Artwork
Tom McCormack is midway through a three-part series on internet artwork, but not the kind involving Photoshop and GIFs. After exploring the history and usage of emoticons in part one of his series, McCormack traces the roots of ASCII artwork back to Guillaume Apollinaire’s 1918 book Calligrammes. Stay tuned for the conclusion soon: a look at the history of emoji.
●
●
Fantastic Beasts and Where to Film Them
If eight Harry Potter movies weren’t enough, we can expect three new Warner Brothers films about J.K. Rowling’s spin-off Fantastic Beasts and Where to Find Them. The trilogy will feature the magical zoologist Newt Scamander as he goes on adventures in New York 70 years prior to the Potter characters.
●
●
Beautiful Again, and Interesting, and Modern
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.
●
●
A dimension of mind
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.