The steady stream of books about and by David Foster Wallace is continuing in 2012. We already noted the forthcoming Conversations with David Foster Wallace, and the calendar now also includes The Legacy of David Foster Wallace from the University of Iowa’s New American Canon series, D.T. Max’s biography Every Love Story Is a Ghost Story: A Life of David Foster Wallace, and Both Flesh and Not, a collection of as yet uncollected nonfiction by Wallace.
Don’t blame Amazon or Goodreads for authors writing rave reviews of their own work. Writers have been self-promoting since the 1700s, when it was called “puffery.” As Nicholas Mason writes for Symposium Magazine, “Nearly every British writer of the late eighteenth and early nineteenth centuries either participated in or benefitted from ginned-up book reviews.” The list of puffed up authors includes Mary Wollstonecraft, Walter Scott, and Mary Shelley.
The unwritten rules of steampunk declare that in every steampunk story, the Hindenburg never caught fire, the world never lost its desire for blimp travel and the skies are dotted with hot air balloons and zeppelins. As it happens, this element of the genre stems from old utopian narratives, many of which depicted a future of widespread balloon travel. At Salon, Kyle Minor reviews the audiobook of a new history of the hot air balloon, written by Richard Holmes, that shows how the rise of air travel changed the world’s imaginative territory.
“An easel stood just inside the big glass doorway when I entered the store. On it leaned my author photo, the one from the back cover of Domestic Violets, and it was fucking enormous. It was the size of a photo you’d expect to see if Bono had been appearing at Barnes & Noble, Bill Clinton maybe, or perhaps the Reverend Desmund Tutu. For a full 30 seconds I stood there and looked at the gigantic, painstakingly airbrushed picture of myself. An elderly couple walked in and did a double take when they saw a stunned-looking me looking at me. ‘It’s too big,’ I told them.” This is what you do when no one shows up to your reading.
The Portable Story Series is accepting submissions to their inaugural contest, judged by Year in Reading alumna Kate Christensen. The theme is hunger, the genre is fiction, the word count is 2000-4000 words, and the deadline is March 28, 2016. The contest benefits three charitable organizations.
“Tsundoku: the acquiring of reading materials followed by letting them pile up and subsequently never reading them.” Do you buy books and let them languish? According to Ozy, there’s a Japanese word for that. Might we encourage your tsundoku habit by encouraging you to look at this list of our favorite October releases?