FSG just launched their new online literary periodical, Work in Progress. Check out their debut issue, where you’ll find Jeffrey Eugenides chatting about his latest book with Jonathan Galassi, fiction by Lydia Davis, summer book giveaways and photos from the FSG archives. Look for the clip from an FSG letter introducing Susan Sontag’s first book in 1963: “It is difficult, as you know, to create interest in new writers.”
The thing about Dave Chappelle, writes Rachel Kaadzi Ghansah in her marvelous essay on the comedian’s family history, the success of Chappelle’s Show, and how the two informed his opinions on race, “is that he was suddenly vaulted into the awkward position of being the world’s most famous interlocutor in a conversation about race—the one conversation no one likes having.” In light of his recent heckling in Connecticut, as well as the continued misinterpretation of his comedy, “it’s easy to understand why Chappelle was done with being misread, tired of explaining, [and so he] finished talking.”
Growing up, Judy Bolton-Fasman watched her mother study Don Quixote, propping the book up on their kitchen counter while studying for her Master’s in Spanish literature. Her mother was a native speaker, but Cervantes was still a tough writer to figure out, especially if you were reading his work while trying to cook dinner in the background. The author looks back on her mother’s education in a Saturday Essay for The Rumpus.
Recommended Reading: Tyler Stoddard Smith's satirical essay on the new literary movement "The Real Newism" at Hobart. "Did Virgil go to hell? No. Did Virginia Woolf go to Disney World? No, and it turns out that Orlando isn’t a place, but a dude. And did Truman Capote ever have breakfast at Tiffany’s? Yes, but the eggs Benedict was cold and the bloody marys were 'bullshit.'"
The Science Genius Initiative is a pilot project organized by Rap Genius, science teachers from ten New York City public schools, and GZA. Together, the group hopes “to change the way city teachers relate to minority students, drawing not just on hip-hop’s rhymes, but also on its social practices and values.” Indeed, as the Wu-Tang Clan emcee – who’s been working with Neil DeGrasse Tyson and MIT physicists for his new album – believes science is worth studying because it “unlocks the key to the universe, and the mysteries we don’t know.”