The Los Angeles Review will start reviewing one self-published book each month. They plan on applying “the same standards of good literature” to their reviews of self-published content as they do to traditionally published content.
“To attempt to write seriously is always, I feel, to fail,” Will Self told The Guardian. He and six other authors, including Margaret Atwood and Lionel Shriver, reflect on their life, career, and love disappointments. Pair with: our own Edan Lepucki’s essay on accepting rejection.
New this week is David Bezmozgis’s The Free World, the new Geoff Dyer collection of criticism Otherwise Known as the Human Condition (reviewed here today), “Professor X’s” higher ed expose In the Basement of the Ivory Tower, Funeral for a Dog, a German novel in translation by young author Thomas Pletzinger, which John Wray has blurbed as “ballsy,” and Chinaberry, a posthumously published novel by the Appalachian author James Still.
This week we have new on shelves: Julie Orringer’s hotly anticipated debut novel The Invisible Bridge; Meghan Daum’s memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer’s Gun by our own Emily St. John Mandel.
Millions staff writing appearing elsewhere: At In Character, my essay about Derrick Borte’s The Joneses and the idea of the American impostor (ECW).
Is it possible to read fiction by an actor without thinking of them as the character that made them famous? It’s a question many people asked when reading James Franco, and it’s a question they’re likely to ask again when reading One More Thing, a new book of short stories by The Office star B. J. Novak. At Open Letters Monthly, Justin Hickey reviews Novak’s collection.