Kickstarter is expecting to raise more than $150 million for its users’ projects in 2012. That’s $4 million more than the “entire fiscal year 2012 budget for the National Endowment of the Arts.” Maybe it’s because the NEA is wasting all of its money on that $1.3 billion poem…
George Saunders is the subject of one of Deborah Solomon's wacky interviews in the New York Times. (via Ed)Scott gets a byline in the SF Chronicle for his review of Duchess of Nothing by Heather McGowan.Elizabeth Crane summarizes the Tom Cruise flick Minority Report like only she can."A rare collection of Dracula-related books is to be handed over to Dublin City Library." I had no idea Bram Stoker was Irish.
Recommended viewing: Tobias Wolff tried to convince Stephen Colbert that The Catcher in the Rye is J.D. Salinger's best book. "Do we need to be reinforcing our kids' bad behavior as teenagers with the idea they could be a character in a great novel? Dad, I wasn't disobeying you, I was exploring modes of alienation," Colbert joked.
The story of how a publishing house began is the definition of literary inside baseball, but this piece by Jonathan Galassi -- in which the FSG president responds to an upcoming book on the heyday of his company -- does a pretty nice job of spurring a general reader’s interest. Among other things, it reveals that First Wife Dorothea Straus once called the company’s office “a sexual sewer.”
Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
"The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own." For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.