Kickstarter is expecting to raise more than $150 million for its users’ projects in 2012. That’s $4 million more than the “entire fiscal year 2012 budget for the National Endowment of the Arts.” Maybe it’s because the NEA is wasting all of its money on that $1.3 billion poem…
Shakespeare may have had a son who later became the poet laureate of England. Find out more about him in Simon Andrew Stirling’s new book, Shakespeare’s Bastard: The Life of Sir William Davenant. Pair with Stephen Akey’s reflections on Shakespeare as God.
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.
“It all started with A Is For Alibi, then came B Is For Burglar, C Is For Corpse and on and on through the alphabet.” NPR interviews Sue Grafton about her Kinsey Millhone series, currently spanning 25 letters – the newest and penultimate entry, Y for Yesterday, comes out today – and 35 years. Pair with Ujala Sehgal‘s list of five crime novels where women are the true detectives.
How’s your bracket doing? Upsets abound not only on the hardwood but also in The Morning News’s Tournament of Books. Celebrate your victory over lesser bracketologists (or, alternately, mourn your defeat against the onslaught of superior bracketologists) with this compendium of basketball poetry compiled by the folks at the Poetry Foundation.
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.
“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”