If you love stories about conception, infertility, baby gorillas, cicadas, and roundabout references to Virginia Woolf, you’re going to love Belle Boggs’ “The Art of Waiting” in Orion Magazine.
Michael Ondaatje’s The English Patient won the Golden Man Booker Prize, the one-off award celebrating the best work of fiction from the last five decades of the prize. About the prize, Ondaatje said “I wish in fact that those of us on this Man Booker list had been invited to propose and speak about what we felt were the overlooked classics—in order to enlarge what ought to be read, as opposed to relying on the usual suspects.” Read the rest of his illuminating and gracious speech over at Literary Hub.
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.
Can the art of teaching art actually be exhibited? A new exhibition at the Institute of Contemporary Art in Boston about the one-time Asheville, NC institution Black Mountain College asks just such questions. Black Mountain College was a controversial, short-lived bastion of free-thought and artistic expression which hosted such figures as Josef Albers, John Cage, and Robert Creeley from 1933 to 1957.
Coincident with the release of her new novel, Marie-Helene Bertino published an excerpt in the latest issue of Granta. It features, among other things, a character using the phrase “better-him-than-me kind of park.” You could also read Bertino’s interview with Jessica Gross, which followed the publication of her debut book of short stories.