“A Dozen Years In The Making, Highest Resolution Picture Of Universe Released.”
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Yet another open archive for your summer reading enjoyment: the Baffler (“the Journal that Blunts the Cutting Edge”), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful “hipster” generation? (The Paris Review has other suggestions. It’s hard to go wrong.)
What color would The Little Prince be? Before you dismiss this as an inane question, artist Jaz Parkinson created color signatures based on how often books mentioned certain hues. The results look like a better Rothko painting. Pair with: Radiolab’s fascinating podcast on the science of color.
Feeling a bit too happy lately? Want to be utterly bummed out? Then read through this assortment of depressing graphs, provided by Rebecca Makkai. They include graphs about MFAs, a bar graph about book clubs, and a pie chart expressing the probability that you are Alice Munro.
A moving tribute to Ray Bradbury on The Paris Review Daily from his one time fact checker Stephen Andrew Hiltner: “Ray Bradbury, who never went to college and was entirely library educated, had what so many of the sophisticated, MFA-carrying writers today lack: passion, vitality, emotional awareness.” Also: Wired has collected a bunch of reminiscences from science fiction writers, including Ursula K. Le Guin.