Recently Salman Rushdie spoke at a conference in Delhi. He had been scheduled to appear with the Pakistani politician Imran Khan, who later pulled out of the event citing the “immeasurable hurt” that The Satanic Verses had done to Muslims. Rushdie, who had earlier been prevented from attending the Jaipur literary festival for fear of his presence inciting a riot, dismissed Khan’s claims: “The chilling effect of violence is very real and it is growing in this country.”
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
Victor Hugo, when asked about the other parts of Dante’s Divine Comedy that aren’t the widely-read Inferno, had this to say: “The human eye was not made to look upon so much light, and when the poem becomes happy, it becomes boring.” Ouch. Is this why so many of us haven’t even read Dante, despite his being a kind of cultural icon?