Okay, so earlier this week I mentioned Emily Nussbaum‘s excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore‘s written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
Even more Girls
Tuesday New Release Day: St. Aubyn; Dyer; Nelson; Lane; O’Donnell; Zeh; Tolkien
Out this week: Lost for Words by Edward St. Aubyn; Another Great Day at Sea by Year in Reading alum Geoff Dyer; Funny Once by Antonya Nelson; Black Lake by Johanna Lane; Closed Doors by Lisa O’Donnell; Decompression by the German writer Juli Zeh; and J.R.R. Tolkien’s translation of Beowulf, published now for the first time. For more on these and other new titles, check out our Great 2014 Book Preview.
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the looking glass of this language
This National Geographic piece on the desire to document and preserve the world’s many dying languages is great.
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Photographing Reality
Do author photographs change the way we see them (or the way we read their works)? At Lit Hub, stare into the souls of a few iconic writers and read about how author photos impact us. You could also read our review of Street Seen, which maps out how photography and reality became intertwined.
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Welcome to Book Town
“Book lore and book history and everything around them, to do with libraries or culture, I think it centers so much of civilization.” Atlas Obscura interviewed journalist Alex Johnson about his forthcoming title, Book Towns, which explores off-the-beaten-path towns bursting with bookshops.
Tuesday New Release Day: Chabon, Díaz, Straight, Boianjiu, Powers, Byrne, Woodward
Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.
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The New Western
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
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