Okay, so earlier this week I mentioned Emily Nussbaum‘s excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore‘s written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
Want to catch up on John Updike in a single summer?Dick Cavett reminisces about the time Updike and John Cheever appeared on his talk show… together.Clancy Martin on his failed attempt to become the world’s largest maker of Fauxbergé eggs and how he evaded the Russian police.Ward Sutton literalizes the idea of the cartoonish critique at the Barnes & Noble Review. First up: T.C. Boyle’s The Women.Street artists smell a conspiracy around the recent arrest of “Hope”-monger Shepard Fairey, the artist formerly known as Giant.On the 30th anniversary of the Islamic revolution in Iran, our friend Porochista Khakpour looks back.WNYC presents streaming audio (mp3 link) of Zadie Smith’s NYPL talk on then-President-elect Obama.Fresh Air’s Maureen Corrigan raves about Yu Hua’s Brothers.More heads roll in the publishing industry.How close did we come to economic apocalypse?Glamorous publishing people: “No, there is no glamour left in publishing.”Food for your ears: “The Dinner Party Download is a fast and funny ‘booster shot’ of unconventional news, cuisine and culture to help you win this weekend’s dinner party.” Sarah Shun-lien Bynum was a recent guest.Amid stimulus package largess, arts getting left out in the cold.Epilogue, a new mag that marries short writings, art, and music.File under: links you probably don’t need to click on
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
“[L]overs of more experimental books showed the ability to see things from different perspectives but it was comedy fans who scored the highest for relating to others.” A new study suggests that people who read books are nicer, reports The Independent. In our recent interview with author John Vaillant he wholly agreed. “Empathy is what gives you the access,” he told us. “I see the writer (fiction or nonfiction) as a kind of permeable membrane through which the thoughts, feelings, and experiences of others can pass and manifest.”
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.