According to Vulture, Bret Easton Ellis firmly backs Team Franzen in the forthcoming issue of The Paris Review. That issue, by the way, hits shelves next week. I know because I saw a video of it on the printing press.
"If a modern film version of Pride and Prejudice were produced today, some of the main characters should be gay, Elizabeth and Darcy should not get married at the end, and Charlotte Lucas should be played by a tabby cat." Laura Fairchild reveals her students' ideas for new adaptations of Jane Austen novels while meditating on what Austen can or can't teach us about modern relationships.
"There are many ways to define 'success' as a writer," and Jeffrey Condran writes about his own path to and definition of writerly success for The Missouri Review's blog. Hint: it has something to do with craft, something to do with editing, and a lot to do with a certain magazine.
Sick of feeling inadequate compared to your literary peers? Well, you might want to stop reading, then: turns out Adam Thirlwell published his first book when he was three. (The readers of Granta learn this not from Thirlwell, who seems a bit abashed, but instead from Year in Reading alumnus Jeffrey Eugenides.)
China Miéville on apocalyptic London for The New York Times Magazine: "Standing so straight on a raised dais, in so immaculate a uniform that he looks like a ventriloquist’s dummy, the Metropolitan Police Service’s new commissioner, Bernard Hogan-Howe, tells the conference in an avuncular voice about his plan for 'total policing. ' He is enthusiastic but nebulous. Details are vague."