Dwight Garner’s New York Times piece last weekend, “The Way We Read Now,” was a joy, but I wonder how his opinions might’ve changed had he read this Time article first. Apparently some scientists speculate it’s harder to remember digital content than print.
e-Forgetting
The Last Samurai
Recommended Reading: On Helen DeWitt’s novel The Last Samurai and how it cultivates ambition in its readers.
Jacqueline Woodson on the Power of Changing the Narrative
Mr. Cromwell
Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.
Slanting Light and Seedy Motels
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
“I have no taste for self-revelation”
In 1970, a journalist named Joseph Epstein wrote an essay for Harper’s that came to a frightening conclusion: that Epstein would, if possible, “wish homosexuality off the face of the Earth.” The incendiary language inspired Merle Miller, a former editor at the magazine, to publish a call-to-arms, “What It Means to Be a Homosexual,” that became the basis of the book On Being Different. Emily Greenhouse puts the essay in context at Page-Turner.
The Pulitzer Bump
Just how much does winning a Pulitzer Prize help sales? Quite a lot, it seems. When Viet Thanh Nguyen’s The Sympathizer won the Pulitzer, it was ranked #27,587 overall in book sales on Amazon. As of this morning, it is sitting pretty at #61.
End Games
Recommended Reading: Drew Nelles on Ben Lerner’s 10:04 and Naomi Klein’s This Changes Everything.