Dwight Garner’s New York Times piece last weekend, “The Way We Read Now,” was a joy, but I wonder how his opinions might’ve changed had he read this Time article first. Apparently some scientists speculate it’s harder to remember digital content than print.
e-Forgetting
Telling a beautiful lie
Chris Jones’s latest feature for Esquire wraps a copyright infringement case up in a meditation on the power of magic, the will to believe and the essence of the delight we can find in art. Warning: may lead you down an endless Penn & Teller YouTube rabbit hole.
The Chance of a Lifetime
It’s famously easy to get scammed on OkCupid. Sarah Hepola (of Salon) knew as much when she joined. But when someone who claimed to be Joseph Gordon-Levitt sent her a flirty message, she figured… what could she do?
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Tuesday New Release Day: Lipsyte, Carson, Silver, Hamid, Miller, Oates, Graver
Sam Lipsyte’s new collection The Fun Parts is out this week. Also out are Red Doc> by Anne Carson, Mary Coin by Marisa Silver, How to Get Filthy Rich in Rising Asia by Mohsin Hamid, Jacob’s Folly by Rebecca Miller, The Accursed by Joyce Carol Oates, and The End of the Point by Elizabeth Graver.
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Even If You Lose, You Win
The deadline for BOMB‘s poetry contest — judged by Leaving the Atocha Station author Ben Lerner! — is April 16th. The $20 submission fee should be pretty palatable to everyone because it comes with a subscription to the magazine.
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From Musician to Collagist
Musician and Super Bowl bird-flipper M.I.A. will release a 192-page hardcover book this October. M.I.A. will be “an autobiographical monograph in collages.” P.S. How good is the “Bad Girls” video?
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Tuesday New Release Day: Harkaway, Nescio, Lehrer, Kerouac, Galassi
New this week are Nick Harkaway’s Angelmaker (reviewed here), Nescio’s Amsterdam Stories (reviewed here), Jonah Lehrer’s Imagine: How Creativity Works, Jack Kerouac’s “lost novel” The Sea is My Brother, and a new collection of poetry from Jonathan Galassi, Left-Handed.
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