Margaret Atwood considers her experience of Twitter and describes how the wilderness of the online world is spilling over into her physical reality.
Whether or not you’ve read Grace Paley, you’re likely to appreciate this George Saunders essay about her, which justifies his contention that she’s “one of the great writers of voice of the last century.” You could also read our own Garth Risk Hallberg’s tribute to Paley upon her death.
“Of course the evening ends with Abbi and Ilana in the bath, together, passing their ‘weed’ from one mouth to another. But I am chilled, less comforted somehow. How are these people anything less than confused, every hour of every day? How on earth, how in all of Eros, do women know which vote to cast, which life to elect as their own?” The Diary of Anaïs Nin While Watching Broad City courtesy of Laura Eppinger at The Rumpus.
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature — posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki’s argument that literature is a genre.