“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
Out this week: Book of Numbers by Joshua Cohen; The Jezebel Remedy by Martin Clark; Second Life by S.J. Watson; The Wolf Border by Sarah Hall; Language Arts by Stephanie Kallos; The Household Spirit by Tod Wodicka; Valley Fever by Katherine Taylor; and Rise by Karen Campbell. For more on these and other new titles, go read our Great 2015 Book Preview.
Now that the summer blockbusters are winding now, we can all focus on book-to-film adaptations. Kirkus Reviews has a list of new books that would make for great movies, some of which, like Christopher Beha‘s Arts & Entertainments, The Millions has reviewed. Pair with our dream casting of a film version of The Goldfinch.