Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.
Imagine that someone wrote fan fiction about you. Now imagine this fan fiction is not just about you, but inspired by selfies you posted on Tumblr. This is what happened to Arabelle Sicardi, who talks with Matthew J.X. Malady about the story she received, her fans and the weirdness of Internet fame.
Year in Reading alumna Porochista Khakpour has a stunning new story in Bennington Review. She writes, “I had made a point of trying to learn the names of everyone in my department, after my previous department chair at my last VAP job advised ‘best way to make a best impression is know every name of professor and student alike.’” For more of her writing, check out her Millions piece on George Saunders.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.