At the LRB’s blog, J. Robert Lennon pays tribute to Russell Edson, the playwright, novelist and prose poet who passed away last week. Lennon recounts that Edson was that rare favorite author who he learned about thanks to a cassette tape. (If you like the blog post, you could also read Lennon’s most recent novel.)
“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.