You may not know this, but Michael Chabon co-wrote the script for Disney’s latest blockbuster, Shirtless Martian Tim Riggins John Carter. In an interview with Wired, Chabon defends genre-writing, and also talks about his sci-fi influences.
Chabon: Friend to the Geeks
“Murakami, who is nothing if not ambitious, has created a kind of alternative world, a mirror of ours, reversed.”
Though coverage of Haruki Murakami‘s 1Q84 has been ubiquitous this month (appearing on this site as well), it is always worthwhile to read the inimitable New York Review of Books‘ take on such things.
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The Alligators of Abraham
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
Your Country Rocks
Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.
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The Ness Files
It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
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