You may not know this, but Michael Chabon co-wrote the script for Disney’s latest blockbuster, Shirtless Martian Tim Riggins John Carter. In an interview with Wired, Chabon defends genre-writing, and also talks about his sci-fi influences.
Chabon: Friend to the Geeks
What Is It Good For?
“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
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Garth Greenwell’s Rules for Weathering the Artist’s Life
Over at Lit Hub, Garth Greenwell shares his commencement speech for Bennington College, in which he shares his "seven very opinionated thoughts "on weathering the artist's life.
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Mississippi Music Issue
The Oxford American‘s thirteenth annual music issue is on shelves now, and it comes with a 27-track mix CD. This year, the OA folks have focused on Mississippi musicians. You can get a free sample on their website.
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From Day Job to Night Job
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
“Our job is to analyse data, not to love words.”
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
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Clarissa Explains It All
Recommended Reading: This piece by Adelle Waldman at The New Yorker on loving and loathing Samuel Richardson, “the man who made the modern novel.”
The Life of Objects
“The meanings we assign to hoods have everything to do with what we regard as frightening and dangerous, and where we think that power resides.” Alison Kinney on her Hood, the latest book in the Object Lessons series.
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