You may not know this, but Michael Chabon co-wrote the script for Disney’s latest blockbuster, Shirtless Martian Tim Riggins John Carter. In an interview with Wired, Chabon defends genre-writing, and also talks about his sci-fi influences.
Chabon: Friend to the Geeks
Butterball HR
McSweeney’s takes us behind the scenes of the Butterball hotline during the holiday craziness. You could also check out Alexander Cockburn’s short piece on Thanksgiving.
Read with your Ears
“You can’t read books all the time; trust me, I’ve tried (and like I said to the officer, at least I wasn’t texting and driving).” Simon Lowe chooses his 10 favorite book podcasts for The Guardian. We featured a list of some must-listens earlier this year too.
A Pretentious Palette
It seems that one paint company has made literal The Paris Review’s literary paint chips. Pantone claims the new color schemes are drawn from the living quarters of authors such as Flaubert, Chandler, and Henry James.
●
●
Tom Bissell Turns Pop
How writer Tom Bissell has pulled up some literary roots (think The Father of All Things) to begin staking out territory in pop culture (Extra Lives: Why Video Games Matter).
●
●
“The quality of detaching itself from its period”
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
●
●
Eleven-Year Itch
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)