I’m not that into ballet, but if I had to be, I’d be into 1,000 frame-per-second footage of German ballet dancers prancing around to a dance-y remix of Radiohead’s “Everything In Its Right Place.”
We have a lot of prizes that honor well-crafted first novels. But what about the second novel, which is far more likely to be ignored? Herewith, Dan Kois announces that Slate is teaming up with the Whiting Foundation to produce We Second That, a list of under-recognized second novels from the past five years. You could also read our own Bill Morris on the golden age of the second novel.
New this week: The Making of Zombie Wars by Aleksandar Hemon; A God in Ruins by Kate Atkinson; The Ghost Network by Catie Disabato; The Love Object by Edna O’Brien; The New World by Chris Adrian and Eli Horowitz; Look Who’s Back by Timur Vermes; Paris, He Said by Christine Sneed; Hugo & Rose by Bridget Foley; and Scavenger Loop by David Baker. For more on these and other new titles, check out our Great 2015 Book Preview.
There’s a lot of (justified) talk about the power of reading, but simply owning a book can be meaningful. Mabel Rosenheck considers Walter Benjamin‘s perspective on book ownership – “[it] is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them.” – and her own experiences with book collecting in San Francisco in an essay for The Toast. Pair with Anne Fadiman‘s essay on relationships, books, and relationships with books, “Marrying Libraries.”
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.