“Romatic realist” painter Bo Bartlett, born in Columbus, Georgia, is renowned for his epic tableaus depicting a “Hopper-like sense of longing and mystery combined with a Lynchian-cocktail of menace, beauty, and stranger-than-fiction reality.” He was also a protégé and life-long friend of Andrew Wyeth. In Oxford American‘s most recent SoLost installment, the crew checks out Bartlett’s surprising and endearing winter workspace.
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily’s correspondent, had this to say: “It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive.”
“That has always been the unsettling irony of the carefree aesthetic. Rhetorically, it denies the full unpredictability of black experiences in America. It is a stereotype, albeit one intended for benevolence and created, perhaps lovingly, by black people.” Doreen St. Félix writes about the roots and ramifications of the “Carefree Black Boy” phenomenon.