Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
at once impressionistic and profound
On Pauline
“It is impossible to ignore the ways in which [Pauline] Kael’s gender makes her a target,” writes Amanda Shubert as she reviews the oft-criticized movie critic, subject of the new book Pauline Kael: A Life in the Dark.
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J.E. Fishman on The New York Times
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: “My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue.”
Make Way for Native Excellence
“It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing.” BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US’s first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today’s Native Americans.
Working Title
Our own Hannah Gersen writes for Catapult on titling her debut novel, Home Field. As she puts it, “The idea that a title could dissuade a reader was not something I had even considered.” Pair with Bill Morris’s Millions interview with the author.
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Richard Wright, 106
Richard Wright‘s 106th birthday passed this last week, and in celebration The Paris Review posted an excerpt from a 2003 remembrance. Pair with our own Lydia Kiesling‘s review of Wright’s Native Son.
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