If you woke up this morning and thought, “You know, I could use more Arab authors on my Twitter feed,” then boy do I have the link for you.
Arab Authors on Twitter
“Music and Memory” Playlists
Granta asks past contributors for short playlists of songs on the theme of memory. Last week features selections by Aimee Bender, Isobel Dixon, and Adam Mars-Jones; weeks past include playlists from Jeffrey Eugenides, Lorrie Moore, and Wells Tower.
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Steal Like a Gypsy
The winner of this year’s Dzanc Books/Disquiet International Literary Program Award for fiction is Sofi Stambo. Here’s a rather savage piece of hers over at Guernica Magazine.
Love Sonnet
If you haven’t watched it already, you should now. Lin-Manuel Miranda reads a sonnet in honor of his wife and the victims of the Orlando massacre at the Tony Awards. “And love is love is love is love is love is love is love is love cannot be killed or swept aside.”
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The Guesthouse of Mirth
Edith Wharton is known as a novelist but she was also a wonderful hostess, whose guests (including Henry James) remember her as “kindness and hospitality incarnate.” Kate Bolick has turned Wharton’s life-long attempt to master “the complex art of civilized living” into an entertaining guide, “The Guesthouse of Mirth,” just in time for those last few summer parties. Pair with Roxana Robinson‘s reflections on Wharton’s life and works, including the original The House of Mirth.
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Sarah Kasbeer on Writing About Trauma
Sarah Kasbeer on her debut essay collection, A Woman, a Plan, an Outline of a Man, and how much of a role writing plays in processing trauma.
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He Means Well
The “good bad guy” has been having his moment on television. From Don Draper to Tony Soprano, America loves the anti-hero. Here’s a look at some literary anti-heroes from over at Ploughshares. You are likely to either agree with or be enraged by this essay from The Millions on likeability in fiction.
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Could That Be Kafka?
“What a horrible silent noisy people they are … My feeling toward those mice is flat-out fear. It has to do with the unexpected, unbidden, unavoidable, virtually silent, persistent, ulteriorly motivated appearance of these animals.” It looks like Franz Kafka really didn’t like mice. Reiner Stach, author of the definitive two-part biography of Kafka (The Decisive Years and The Years of Insight) has released a new book of Kafka ephemera called Is That Kafka? 99 Finds full of fascinating facts that never found a place in the biographies at large. This Millions review of Stach’s biographies might also suit your Kafka fancy.
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