If you woke up this morning and thought, “You know, I could use more Arab authors on my Twitter feed,” then boy do I have the link for you.
Arab Authors on Twitter
Ancient Shade
Anyone who’s read The Divine Comedy knows that rivalries and petty grudges are timeless. To further prove the point, Mallory Ortberg provided this list, which details the cattiest lines from Marcus Aurelius’ Meditations. Sample quote: “Why do unskilled and ignorant souls disturb him who has skill and knowledge?”
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Sense of an Ending
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
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Mark Twain’s Autobiography
Mark Twain left instructions not to publish his autobiography until 100 years after his death, which is now. Volume I will hit shelves in November.
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Press Start
Readers of the 1960s and 70s ran into many people who worried that writers were learning from television. In 2015, the concern is slightly different -- are writers taking cues from video games? At the Ploughshares blog, Matthew Burnside tackles the game-ification of books.
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Quick Links
The LBC gets name-dropped by the Inside Google Book Search blog.After a too-long hiatus, Tingle Alley is back. Rejoice!The seamy underbelly of the celebrity cookbook industry.
Gents in Glasses
Didn't get a chance to show off your Tolstoy and sexy frames at the last I Like Your Glasses: Literary Speed Dating? Don't worry because CoverSpy and Housing Works Bookstore Cafe will be hosting another event on October 23 at the store. This time bookworms are restricted to ages 21-39. Tickets are $15 (including a free drink), but to encourage more gents, Millions men can get their tickets for $12 if they use the promotional code "MILLIONS." Pair with: our essay on attending the first I Like Your Glasses.
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Dispatch from Kolkata
Over at Electric Literature, Megha Majumdar writes about the changing architecture in Kolkata, the quest for authenticity, and nostalgia. Pair with Olena Jennings’s Millions essay on nostalgia for a life never lived.