Max Axe here. I was seven years old when the Garbage Pail Kids debuted and quickly became all the rage, so news that this Garbage Pail Kids book – with an introduction by creator Art Spiegelman – is hitting bookstores now is transporting me back to my schoolyard days. (Also, how did I not know until now that Spiegelman was behind GPK?)
Electric Literature’s posted a story by Jesmyn Ward, author of the reigning National Book Award-winning novel Salvage the Bones, as part of their ongoing Recommended Reading series. It’s worth checking out. Likewise, I recommend getting your hands on the latest issue of Oxford American so you can check out Ward’s inaugural “Native Daughter” column.
Sam Sacks offers up a review of Booker winner The White Tiger by Aravind Adiga for Open Letters"Obama spotted carrying poetry book" - It was Collected Poems 1948-1984 by Derek WalcottThe amazing, exhaustive, 7-part, behind-the-scenes look at the 2008 campaign from NewsweekRahm, Ari, Zeke: Which Emmanuel brother are you?In case you weren't already tired of this... the n+1 vs. the lit-blogs row of early 2007 lands in an academic journal. Our own contribution to the saga is duly noted.Wyatt Mason offers more thoughts on John Leonard (via Conversational Reading)Malcolm Gladwell's latest, The Outliers, hits stores a week from today. Gladwell introduces the book in a video at Amazon (scroll down a bit).Oxford researchers figure out the ten most annoying phrases.And the New Oxford American Dictionary has named its Word of the Year: hypermiling.As we remember Michael Crichton, "The Top 5 'Crazy' Michael Crichton Ideas That Actually Came True"Nam Le wins the Dylan Thomas Prize. We interviewed him in August.
"What you might call an invisible economy of house sitters exists across the country," writes Aaron Gilbreath in the Paris Review. His account of the generosity and clean counter-spaces of friends is a humbling reminder of the flip side of creative work.
"Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define." Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.
We're pleased to announce a new feature here on The Millions, "Ask the Writing Teacher." Our own Edan Lepucki will now be taking your questions about all things writing related, dialogue, plot, point of view, or other elements of writing that might be putting a pickle in your prose. Send your questions her way at askthewritingteacher[at]gmail[dot]com