At the helm of The Paris Review‘s advice column this week, Sasha Frere-Jones describes Sheila Heti‘s How Should a Person Be ? as the inverse of Elaine Dundy‘s The Dud Avacado.
A person should not be a dud avacado?
On the Stupidity of Entitlement
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
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‘Some frankly tremendous trousers’
We never knew we wanted American Psycho told in the style of P.G. Wodehouse.
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“Dying in Svalbard is hard—being buried is, in a way, much harder.”
For two weeks last summer, Colin Dickey sailed around the coast of Svalbard in the Arctic Circle. On one occasion, his voyage was stalled by heavy fog, and his group was obligated to anchor near Amsterdamøya. As one does, he used the occasion to ruminate about scurvy – or “polar night disease” – which claimed the lives of many sailors buried in the area’s graves.
On Craft and Color
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
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Posthumous Praise
“The female writers whose work has most recently come in for enthusiastic appraisal are by no means a homogeneous group; their influences, preoccupations and style vary wildly.” The Guardian profiles six women authors – Beryl Bainbridge, Anita Brookner, Angela Carter, Jenny Diski, Elizabeth Jane Howard, and Molly Keane – whose posthumous legacies continue to grow. Alix Hawley wrote a fantastic tribute to Brookner here earlier this year, noting, “[n]obody does depression quite so elegantly.”
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Pink Matter
No doubt inspired by the musical stylings of Ricky Rozay (aka Rick Ross), Peter Foges set out to investigate the origins and present state of pink champagne.
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