Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
On August 1st, 1914, Germany declared war on Russia. Also, Franz Kafka went swimming. Moreover, the Metamorphosis author mentioned both events in his diary, writing simply and strangely that “Germany has declared war on Russia — went swimming in the afternoon.” Was this odd phrasing intentional or a sign of the author’s self-absorption? In an article for Open Letters Monthly, Robert Minto reads all three volumes of Reiner Stach’s new biography.
Sophia Nguyen writes for Harvard Magazine about the Dark Room Collective, a group of black writers of “starry critical mass whose impact on American letters continues to expand.” Pair with her Millions review of Collective member Tracy K. Smith’s new memoir, Ordinary Light.
“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.
The Occupy Wall Street movement has been going on for seven months now, and it’s the subject of a new book entitled The Occupy Handbook. Over at The Daily Beast, you can check out an excerpt in which The Big Short author Michael Lewis interviews himself about his thoughts on the occupation.