“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”
This weekend–at 2:30 am on Saturday, to be precise–Twitter bot @everyword was set to complete its 7-year run with the final word in the English language: “zymurgy.” Unexpectedly, the bot tweeted again half an hour later–with a nontraditional character it had surreptitiously glossed on the first run: éclair. Since @everyword, like Lazarus, probably won’t get the same fuss after its second death, check out The Guardian’s interview with creator Adam Parrish now.
As we mourn the loss of Anthony Bourdain, the Los Angeles Times remembers his impact on the literary world and the ways in which the literary establishment wanted him to ‘shape up’. A well-read chef and writer, Bourdain’s most well-known book was Kitchen Confidential. Pair with this essay on food writing.
Cairo bookstore Bab Aldonia has installed a soundproof room for its customers in which, MobyLives reports, “anyone can go and scream in privacy for ten minutes at a time.” An unsigned piece on the online magazine Cairoscene notes that working out one’s frustrations within the safety of its walls “may prove just as effective as regime change.” The stakes are considerably lower, but if you’re a fan of indie booksellers, you’ll also enjoy our piece about bookstores we have known, loved, and worked for.