We showed you ours, and you showed us yours. Here’s a Storify of the 60+ responses we got when we asked you to invite us into your #writespace. Peep our Tumblr this weekend, where we’ll be featuring some of our favorites. And of course, keep ’em coming: tag a picture of where you write with #writespace on Twitter or Tumblr and we’ll be sure to take note.
Where You Write
“Hemingway, a perfervid admirer of ‘grace under pressure.’”
Here’s a treat for all you literary legal buffs. A judge in the Middle District of Florida denied a request for a continuance in a murder-for-hire trial. But wait, it gets better. The defense attorney, Frank Louderback, is a perennial contestant in Hemingway Look-alike Society’s annual Ernest Hemingway Look-alike Contest, held in Key West each year, and the purpose of Louderback’s continuance was so he could travel to the Conch Republic for the competition. The judge denied the order by citing Big Papa himself. (via Nate Harris)
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Oh, you were the best of all my days.
Zadie Smith reading Frank O’Hara’s “Animals,” by way of the Chicago based ad and design agency, Coudal Partners, and their voice mail based poetry project, Verse by Voice.
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Apocalypse Patriots
In The New Statesman, Ben Marcus wonders why American writers are so obsessed with the apocalypse. (A sentiment a few others have wondered of late, too.)
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Is That a Manuscript in Your Pants, or…?
“Success in writing takes serious commitment and a willingness to devote thousands of hours to the craft of having sex with key publishing professionals.”
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What’s Frightening About Gone Girl
Don’t Cry author Mary Gaitskill reviews Gillian Flynn’s wildly successful thriller, Gone Girl, for the pages of Bookforum. What she finds is that the book isn’t really frightening because of its plot per se, but rather because its two main characters “do not resemble actual people so much as grotesquely smiling masks driven by forces of extreme artifice, and it’s exactly that extreme artificial quality that’s frightening to the point of sickening.” For what it’s worth, Edan Lepucki, Michael Bourne, Ed Park, Janet Potter, and Jennifer duBois each named Flynn’s book in their most recent Year in Reading pieces.
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And Smoke Signals
As the world knows, letter writing is dead, killed by the popularity of email. However, before email killed letters, the telephone killed them, as did the typewriter, the telegraph and the adhesive postage stamp. (h/t Arts and Letters Daily)
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