Psychotherapist Ariel Garten redefines consciousness at TEDx Toronto. “The problem with escaping your day-to-day life,” she says, “is that you have to come home eventually.” Her question, which she answers in the affirmative, is whether we can “find ways to know ourselves without the escape? Can we redefine our relationship with the technologized world in order to have the heightened sense of self-awareness that we seek? Can we live here and now in our wired web, and still follow those ancient instructions: ‘Know thyself’?”
When Technology Knows You Better Than You
Cultivating Profit
In an attempt to shift attention away from the ongoing E. coli scandal, Chipotle has announced the next round of authors whose work will be appearing on their cups as part of their ongoing Cultivating Thought series. Look for pieces by Amy Tan, Jeffery Eugenides, Neil Gaiman, and Barbara Kingsolver among five or six others – just be careful of the burritos.
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The Southern Review’s New Digs
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Take Two
Last week, to mark the release of The First Bad Man, we interviewed Miranda July here at The Millions. In Bookforum, you can read another interview with July, who talks about striving to mimic the feeling of “purposely unfinished work.”
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DJ Díaz
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
Next Stop: The Perfect Book
“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.