Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
“When it gets loudly, IT GETS VERY LOUD INDEED”
New Romance
Recommended Reading: A new story by Yuri Herrera for Granta Magazine, featuring “the prayer of the overheated-horndog”: “Oh please, oh please, oh please / May he, the drunken me / May he, the dumbfuck me / May he, the me who never ever ever knows where shit is / May / he have saved one / Just one / Lubricated or corrugated / Colored or flavored / Magnum or tight-fit / Oh please / Holy Saint of horndogs / Grant me just one condom.”
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Dead Air
Máirtín Ó Cadhain is probably the most famous Irish writer you haven’t heard of, if only because he wrote all his masterworks in Irish rather than English. His best novel, Cre na Cille, has a simple and arresting premise: a town in Connemara has a graveyard in which the dead can speak. In The Guardian, Kevin Barry (who we interviewed) reads the novel for the first time.
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Semiotics and Jeffrey Eugenides
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
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Up to Scratch
What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
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Stay Away from the Semicolon
“The Crested Asterisk camouflages itself in poor syntax, relying on this tactic to confuse its predators and prey. It is the only specimen known to cause injury by way of over-emphasis.” Introducing a field guide to rare punctuation.
The Very Picture of Guilt
If the prospect of dealing with Frankenstorm is harshing your mellow this Halloween, you might want to look at The Paris Review Daily’s illustrated Telltale Heart.
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The real Daisy Buchanan
“The poor boy losing the rich girl is a common theme in Fitzgerald’s work, and the original model was surely his relationship with Ginerva King.” AKA the real Daisy Buchanan, who, might I note, looks nothing at all like Carey Mulligan.
Your Country Rocks
Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.