Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
“The home I grew up in will never exist again, and this is why I write so much about home, perhaps. Because I lost mine,” Jesmyn Ward told Roxane Gay in an interview for The Toast. They discussed Ward’s new memoir, Men We Reaped, her writing process, and how she deals with being labeled a “black woman writer.”
Reading War and Peace was always a challenge, but how much harder is it in an age of constant distraction? At Salon, Mike Harris, a self-confessed distraction addict, writes about his experience tackling the Russian classic. You could also read our own Kevin Hartnett on the book’s effect on perception.
If you like your music country/folk-ish with a difference, Joshua James new album Build Me This might be of interest. No Depression, the roots music blog, describes the album as a hybrid of “chain-gang chants, country-fuzz rave-ups, gospel rafter-raisers, southern blues grinds, and civil war camp songs.” Try not to be taken aback by the Jared Leto-in-a-mud-mask cover art.
The New York Times interviews Jacqueline Woodson, National Ambassador for Young People’s Literature and Tracy K. Smith, poet laureate of the United States for National Poetry Month. They discuss black history, bringing poetry to the central and rural parts of the country and to those who are incarcerated and why poetry isn’t as popular among adults. “Listening to music and lyrics and watching movies, I think, uses a lot of the same muscles we use in reading and experiencing poetry — and yet we somehow forget that we have those when it comes to sitting down with a book of poems.” It’s a delight, happy Saturday!
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
“Of all the literary genres, poetry has proved the most resistant to digital technology, not for stodgy cultural reasons but for tricky mechanical ones.” Looks like that might be changing, however, as Open Road releases Flow Chart, Your Name Here and 15 other John Ashbery digital poetry collections.