The Atavist has been killing it lately. Last month, I was riveted by Joshuah Bearman’s outrageous (and completely true) story of one Brit’s attempt to bring a “Baghdad Country Club” to the city’s Green Zone. This month, “Mother, Stranger,” Cris Beam’s account of her abusive mother–a distant relative of William Faulkner–had me on the verge of tears.
In 2006, the National Library of Norway enacted an ambitious plan to digitize every book in its holdings by 2020. The idea is that all of the content (even works under copyright) will be accessible to people logging into the system with a Norwegian IP address.
Mixer Publishing wants more of your sex, violence, and satire. They’ve just extended their contest deadline–for fiction, poetry, and graphic stories–to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
Dwight Garner, writing in the current issue of The New York Times Magazine, laments that so many high-end American novelists seem to be working on “the nine-year plan,” delivering a new novel roughly once a decade. He cites Jeffrey Eugenides, who will be out soon with The Marriage Plot, his third novel in 18 years, along with such slow cookers as Jonathan Franzen, Donna Tartt and Michael Chabon. One name Garner neglected to mention is the Pulitzer Prize-winner William Kennedy, who will be out next month with Chango’s Beads and Two-Tone Shoes, the eighth installment in his Albany cycle and his first novel since Roscoe appeared nine years and nine months ago. Look for our review of it here next month.
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”