The third annual 3 Quarks Daily Arts & Literature Prize will be judged by Chinese-American novelist Gish Jen. The first place award, called the “Top Quark” will win a cash prize of $1,000. Might we suggest nominating your favorite Millions article?
“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.
After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.
U.S. publishing house Little, Brown had a rough day in the news yesterday. Its coy marketing tactics have rubbed some booksellers the wrong way, reports Julie Bosman for The New York Times. Later on, The New York Post‘s Keith J. Kelly noted that the publisher has dropped one of its bigger titles. Jason Bennett raises some additional questions.
Veterans of writing workshops will know that a good story has a heavy dose of conflict. One can add it to a story in many ways, but one of the best and most reliable is to add a predator, either in the form of a threatening organisation or an animal or person with malicious intent. At the Ploughshares blog, Year in Reading alum Megan Mayhew Bergman reflects on predatory literature.
“Someone asked me what I was doing in my 10‑year break,” says Kazuo Ishiguro with a boyish chuckle. “And I thought: yes, there has been a 10-year break since my last novel, but I personally haven’t been taking a 10‑year break!” The Telegraph talks with Ishiguro about his new novel and the first he’s published since Never Let Me Go, The Buried Giant.