Tim Weiner won the Pulitzer Prize for Legacy of Ashes: The History of the CIA. Then, four years after its publication, he received a box of J. Edgar Hoover’s “personal files on [FBI] intelligence operations between 1945 and 1972” from a well-connected D.C. lawyer. That treasure trove of information has since wound up in his recently published book, Enemies: A History of the FBI, and he sat with NPR’s Terry Gross to talk all about it.
The Ripped Bodice (the only bookstore in the United States dedicated solely to romance books) released a report looking at the state of diversity in 2016 romance novels. Last year there were only 7.8 published romance novels by writers of color for every 100 books from 20 major romance publishing companies. "Of particular concern is the suggestion, as revealed by the study, that publishers are not reflecting their readership base with any kind of parity. According to Pew Research, black women with college degrees are more likely to read a book than any other group. Since romance readers are approximately 84 percent female, this suggests there is a large swath of the population who don’t see themselves represented in authors or protagonists." Entertainment Weekly highlights some major takeaways from the survey, read the rest of the appalling stats and then go support romance writers of color.
I can't recommend John Jeremiah Sullivan's 7,000-word article on The Pale King highly enough - not because he gets everything right, but because it's what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
"Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America." Stephen O'Connor's poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O'Connor a platform from which to explain his idea.