Tim Weiner won the Pulitzer Prize for Legacy of Ashes: The History of the CIA. Then, four years after its publication, he received a box of J. Edgar Hoover’s “personal files on [FBI] intelligence operations between 1945 and 1972” from a well-connected D.C. lawyer. That treasure trove of information has since wound up in his recently published book, Enemies: A History of the FBI, and he sat with NPR’s Terry Gross to talk all about it.
Tim Weiner Knows Every Secret Ever
Reading In The Future
Over the years, Maria Popova (aka Brain Picker) has provided readers with thousands of hours of diversion. But how, exactly, does she think we will read years from now?
●
●
Voice to the Voiceless
“Even though journalism is a good profession, for me it was very constraining. It focuses on the surface, banalities, events, and I wanted to spend a longer time talking to people in depth, and to ask them about truly important things, like love, death, and war.” This interview with Svetlana Alexievich at The Nation is fantastic. Check out our own profile/interview with Alexievich from earlier this summer.
●
●
The Cat in the Hat
“Ted has another peculiar hobby — that of collecting hats of every description.” Art imitated life for Theodor Geisel, a.k.a. Dr. Seuss, hat collector extraordinaire.
●
●
Millenial Think-Piece Bingo
Millennial think-pieces can be a bit redundant. Next time you encounter an article, bring this bingo board with you. For refreshing writing on millennials, our own Kaulie Lewis reflects on Marina Keegan’s The Opposite of Loneliness.
●
●
Trololololol
“They said banning me from Twitter would finish me off. Just as I predicted, the opposite has happened.” Talking Points Memo reports that Simon & Schuster is moving forward with plans to publish a book by Breitbart News editor and white nationalist Milo Yiannopoulos, whose extended harassment of comedian Leslie Jones finally led to his expulsion from Twitter last year. Critics of the publishing house have called for its boycott, including some of its own authors.
How to be a Good Literary Loser
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn’t you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die.”
●
●