Ever wondered why Knopf’s colophon is a borzoi, or why Houghton Mifflin Harcourt’s colophon appears to be a musician riding a flying dolphin? Well, now you can find out. Also, a while back, HTMLGIANT‘s Jimmy Chen ranked some colophons by their ability to fly.
"You don’t have to immediately quit your job to become a writer. You need only to start writing." The New York Times transcribes an excerpt from the "Dear Sugars" podcast with Cheryl Strayed and Steve Almond. For more writerly advice, see our own columnists Swarm & Spark on whether writing a novel will jeopardize your mental health.
Women writers of color can apply for the two-week Writer’s Colony at Dairy Hollow, which is being organized by Jack Jones Literary Arts, and will take place between October 16-30, 2017. The retreat will feature daily master classes with agents, editors, and publishing professionals, and comes with a $1,050 stipend. Applications are open until May 1, 2017.
Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
Vol. 1 Brooklyn's Tobias Carroll presents a roundup of the best new literature blurring the lines between writing and the visual arts, including works that made cameos in Paul Auster's Leviathan and Valeria Luiselli’s The Story of My Teeth. We reviewed the latter novel a year ago here.
Over at Catapult, Lynn Steger Strong writes on writing a novel that readers will read. As she puts it, “I was trying to explore the specific experience of living in the world while also living largely, sometimes to one’s own detriment, inside of books, inside one’s head.” Also check out this Millions piece, featuring six writers looking back on their first novels.