Ever wondered why Knopf’s colophon is a borzoi, or why Houghton Mifflin Harcourt’s colophon appears to be a musician riding a flying dolphin? Well, now you can find out. Also, a while back, HTMLGIANT‘s Jimmy Chen ranked some colophons by their ability to fly.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
“Familiar, well-behaved stories are dressed in nice book covers and sent to our bookstores; from there they march to our homes in an orderly manner.” On Chinua Achebe, Chimamanda Ngozi Adichie, and how publishing understands the immigrant narrative. Pair with our review of Adichie’s second novel, Half of a Yellow Sun.
Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, “a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.”
“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.