Google is set to release a set of computerized glasses later this year. The glasses will come equipped with a camera that captures what you see, a projector that reflects data onto a screen between the lenses and your eyes, and a sensor that tracks the movement of your eyes which will in be the method for navigating the device. Basically, we’re all about to become Steve Mann, though according to the Toronto Star the world’s first cyborg has yet to offer any comment.
“Much of what passes for advanced literary scholarship these days is dreadful twaddle — incoherent, emotionally empty, deeply illiterate,” says Terry Castle in a recent interview with Salon about her new book of essays, The Professor. You can also catch Castle in the most recent issue of The New York Times Magazine.
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
The Millions‘s own Edan Lepucki, whose first novel California will be released next week, was featured in The New York Times following the promotion of her novel on The Colbert Report. We recommend you read the article, read more from Edan here and here, read the first chapter of California here, and then order the novel ASAP.
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.