A 27 pound lobster has been caught off the coast of Maine. Now, who’s going to be the first to come up with a 50 pound dab of butter?
The Best Case for Cloning
NEA’s new literary director
Meet Ira Silverberg, the National Endowment for the Arts’s new literary director.
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Sarah Kasbeer on Writing About Trauma
Sarah Kasbeer on her debut essay collection, A Woman, a Plan, an Outline of a Man, and how much of a role writing plays in processing trauma.
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Jeff Baskin Writers Fellowship
Submissions are open for the Oxford American‘s Jeff Baskin Writers Fellowship, which awards a $10,000 living stipend, housing, and an editorial apprenticeship toward a nine-month residency with the magazine. The goal is to support the writing of a debut work of creative nonfiction, and the application deadline is midnight EST, March 30, 2017.
Hiding Under the Covers
The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
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Leah Hampton on the Bifurcated Vantage Point
Leah Hampton discusses her debut collection, F*ckface: And Other Stories, which takes a closer look at lives in the modern-day American South.
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Tip of the Tongue
After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.
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FYI: GRH
The editor of the sumptuous Aussie lit-mag Torpedo – a kind of antipodean McSweeney’s – interviews a recent contributor: me (2).
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