“This Is My Home” is a short profile of a New York City collector of oddities. His home is regularly mistaken for an antique shop, but it really strikes me as the perfect sister-store to Brazenhead Books.
At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
Year in Reading alum Joshua Ferris has a new book on shelves this week, as does Millions contributor Porochista Khakpour. Also out: Cutting Teeth by Julia Fierro; The Possibilities by Kaui Hart Hemmings; Debbie Doesn’t Do It Anymore by Walter Mosley; The Orenda by Joseph Boyden; Snow in May by Kseniya Melnik; The Year She Left Us by Kathryn Ma; and Remember Me Like This by Bret Anthony Johnston. For more on these and other new titles, go read our Great 2014 Book Preview.
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.