John Jeremiah Sullivan is working on abandoning the “slightly exaggerated pastiche of himself as narrator” that’s driven most of his essays so far.
“In order to overcome their creative challenges, the authors I interviewed didn’t need to write prettier sentences: They needed to become more disciplined, more generous, braver. Literature seems to require these qualities of us, somehow, both in writing and in reading.” Joe Fassler‘s “By Heart” series at The Atlantic provides us with another year’s worth of writing wisdom, including advice from Alexander Chee, Michael Chabon, Lydia Millet, et al. We also highly recommend the conversation between Chee, Emily Barton, and Whitney Terrell about the decade each of them took to see their novels realized in the world.
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book’s designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
Last year we highlighted University of Nebraska Press among other small presses for the keeping in print otherwise little known future Nobel laureates. Today’s honoree Mario Vargas Llosa is quite well-known by comparison, but University of Nebraska Press has nonetheless (barely) run its Nobel streak to three straight years by way of Vargas Llosa’s inclusion in the press’ soccer writing anthology, The Global Game: Writers on Soccer.
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”