Why They’re Single is a “tribute site to excellence and failure in online dating.” And what better date for it to go live than on Valentine’s Day? (Related: OK Stupid: The Horrors of OK Cupid.com)
Sometimes It’s Obvious
Where the Letters Go
A startling conclusion from this data visualization of where in words each letter of the alphabet tends to fall: “the most common word may be ‘the, but the most representative word is ‘toe.’ ” (Also available: detailed methodology and algorithms for the data geeks; an explanation of data-viz as a narrative form for everyone else.)
AbeBooks’ Most Expensive
Online used book marketplace AbeBooks rounded up the most expensive books sold via its site in October. At the top is a collection of Scottish music from 1782 that went for $8,500. Also on the list are some collectible Tolkien and Hemingway. (Thanks, Laurie)
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Bill Keller wants reporters to report and only report.
The New York Times‘ executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
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The Literature of Skateboarding
Joel Rice has a new column up at McSweeney’s, in which he looks at “the literature of skateboarding.” All in all, this kind of reflective writing should pair nicely with Nick Courage’s fantastic Paris Review piece from last month. (Bonus: Rice’s column linked above also features a nice little bit of David Foster Wallace memorabilia.)
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“Did you know that the Bosphorus is drying up?”
Orhan Pamuk paints a nightmarish picture of the land laid bare when the Bosphorus dries up.
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Penchant for Snobbery
In The Nation, Mark Oppenheimer reviews Janet Malcolm’s Forty-one False Starts, which includes the New Yorker staff writer’s early works of criticism. The problem, he writes, with her and most Western critics? “She is a snob, but wishes she weren’t.” (ICYMI: we published a review a few weeks ago.)
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Black on all Sides
“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.