Joe Wikert explains why the book industry needs to learn from the music industry, drop DRM, and adopt a unified ebook format.
Split This Rock’s Tenth Annual Poetry Contest is now open for submissions, judged by Sheila Black. All prize winners will be invited to read at the 2018 Split This Rock Poetry Festival and have their poems published in The Quarry.
Do people still need to study the humanities? You’d think the answer is “yes, of course,” but the issue is far more complicated than that. In a bid to sort it out, The New Republic recently asked a group of former university presidents to give their viewpoints on the matter. Sample quote: “Humanities faculty have too often conspired well.” Pair with: our own Nick Ripatrazone on coming to writing from outside the humanities.
"At a time when heated conversations about diversity and cultural appropriation in literature abound, The Loved Ones is a wondrous gift, a pleasant reminder that there are many thoughtful writers who can create believable characters of multiple races, ethnicities, and genders without relying on caricature or stereotypes." We're all warm inside from Necessary Fiction's lovely review of Millions staff writer Sonya Chung's novel, which we featured in our second-half 2016 book preview.
"Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen." This essay on interstices and representing Hawai'i Creole English as a legitimate literary participant is excellent.
“These people may not take you seriously. And your boss might not either. Or your dentist or your best friend from middle school. But you who does take you seriously? Dictators. Dictators take you very seriously. Mao Zedong and Joseph Stalin, Pol Pot and Augusto Pinochet, all rounded up writers and artists in short order. They could not afford to have the unpredictability of literature at large while they were trying to create a totalitarian state.” Wendy Willis on subversion through writing for The Rumpus.