Adrian Chen spoke with a former Facebook employee, and learned “how Facebook censors the dark content it doesn’t want you to see, and the people whose job it is to make sure you don’t.” In short: exploitation of “human content monitors” in the third world.
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
Newsweek Senior Writer (and Millions contributor) Alexander Nazaryan has a new interview with William T. Vollmann up on Newsweek’s website. To start things off right, he reports that if Vollman were to win the Nobel Prize, he’d enjoy giving a decent chunk of the prize money to prostitutes.
NYC-area readers are invited to an event this Friday centered on the topic of marketing literature in the age of Gawker. At 7 p.m. I’ll be moderating a panel discussion that includes novelists Fiona Maazel and Tao Lin, literary agent Erin Hosier, and Christopher Kolouris of the website Scallywag & Vagabond. The event, which doubles as a launch party for Canteen magazine’s “Hot Authors” issue, also features two bands, a DJ, and an open bar. More info at 3rd Ward.
“My whole life, I had used stories, both my own and other people’s, to check out of grocery store lines and long bus trips, stints in doctors’ waiting rooms, heartache, my own depression, and finally of the tedious exhaustion of new motherhood. Now, here I was in this 15-by-20 room, where monitors and alarms were constantly beeping, and there was no way out, except the unimaginable.” Alyson Foster, author of Heart Attack Watch, writes about her son’s illness and her love of reading.