“To be a Patrick Leigh Fermor, a Colin Thubron, a Norman Douglas or Paul Theroux, requires always saying yes. To not-get-raped, according to every lesson I – and so many other women – have been taught, so often requires saying no.” On the paradox of being a women and a travel writer.
“According to the biography, Hadden designed the fact-checking system with the thought that putting a male writer and a female researcher together in a quasi-adversarial situation would create a sexual dynamic that could lend energy to the process.” Calvin Trillin’s memories of the Time offices in the early 1960s are at times more Mad Men than Mad Men.
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
“Jeopardy!” champion Ken Jennings charts “the wide, weird world of geography” in his latest book Maphead. NPR investigates his process in a “Fresh Air” interview. Scribner Books provides a small sample as well. While discussing the particulars of America’s “Road Geeks,” Jennings makes it clear to this listener that he’d probably be interested in Cynthia Enloe and Joni Seager’s The Real State of America Atlas, which was reviewed by our own Bill Morris last July.
Denmark has a new superstar, and he’s a poet named Yahya Hassan. At 18, Hassan has published a poetry collection that sold 100,000 copies in three months — a figure that, in Denmark, translates to one copy for every fifty residents. At the LARB, Pedja Jurisic delves into the young poet’s incendiary politics.
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.