Writing for Washington Monthly, Ezra Klein lambasts “the weakness of liberal arts education” and talks about how the Ivy League’s failures have led to Wall Street’s gain.
Out this week: Mr. Mac and Me by Esther Freud; One Step Too Far by Tina Seskis; Munich Airport by Greg Baxter; The Jaguar’s Children by John Vaillant; The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe by Romain Puertolas; and The Sacrifice by Joyce Carol Oates. For more on these and other new titles, check out our Great 2015 Book Preview.
A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.