“Behold the ladyblogosphere,” writes Molly Fischer for n+1, “for [Jezebel, The Hairpin, xojane, and Rookie] are not women’s blogs but ladyblogs, and ‘lady’ is their endemic verbal tic.” Emily Gould’s response is worth a read as well.
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.
Most of the time, when somebody insults a writer on Twitter, the insult disappears into the cyberspace ether. However, as with any rule, there are always exceptions, and one is when you trash Joyce Carol Oates and then thank her for inventing a breakfast food.
In addition to the Jewish refugees who emigrated to North America in the years leading up to World War II, there was also a sizable contingent who fled East. In particular, an estimated 30,000 refugees journeyed to Shanghai between the years of 1933 to 1941. With them, the refugees brought all sorts of valuables, heirlooms, and artifacts. One family brought over 2,000 books. Now, over 70 years later, one Shanghai family is asking for help locating the owner of that library. Part One; Part Two. (h/t Bint Battuta)
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.