Literary critic Amitava Kumar has written a personal essay for the Chronicle on his experience reading from Salman Rushdie’s The Satanic Verses at the Jaipur Literary Festival in India, where the work has banned for 23 years. Read The Millions coverage of the festival here.
On Reading Salman Rushdie in India
Mary Ruefle in Conversation
New Yorkers: don’t miss your chance to catch Madness, Rack, and Honey author Mary Ruefle in conversation with Alice Quinn. Also, be sure to read Ruefle’s essay, “I Remember, I Remember” if you haven’t yet done so.
A Sense of Danger
Recommended Listening: Renata Adler’s Longform podcast on writing routines and the need for acquiring a sense of danger.
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ReBorne
“Getting too quickly to where you want to go, getting there too smoothly, is antithetical to thinking through complex issues. You want roadblocks, confusion, chaos, and doubt. Unexpected, wonderful things come out of this approach.” Jeff VanderMeer provides a master class for Publisher’s Weekly on novel revision, explaining in five steps how his new book Borne arrived at its final incarnation. And for more shop talk, see VanderMeer’s interview with The Kills author Richard House from our own pages a couple of years back.
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History of the Cube Farm
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Twin Peaks literary criticism
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
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Writing Blind
James Tate Hill shares his experiences as a writer who cannot read. “When I say I can’t read, I’m not referring to illiteracy, but to the large blind spots in my central field of vision that put an end to my unremarkable driving career a few months after my 16th birthday.”
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