Fans of Moby-Dick should read Nathaniel Philbrick’s outstanding historical account In the Heart of the Sea. The book, which tracks the fate of The Essex, a New England whaling vessel sunk by a humongous sperm whale in the South Pacific, is vivid and harrowing. It’s also, as it turns out, only one of the naval catastrophes to befall George Pollard, Jr., The Essex‘s captain: a second wreck of his was recently located off the coast of Hawaii.
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.
Last week, I pointed readers to a recording of Benedict Cumberbatch on BBC Radio, reading Kafka’s Metamorphosis. Over at Slate, Rebecca Schuman explains why Cumberbatch is the story’s ideal reader, unpacking his “withering, perfectly enunciated deadpan.”
Out this week: Manhattan Beach by Jennifer Egan; Fresh Complaint by Jeffrey Eugenides; Dogs at the Perimeter by Madeleine Thien; A Moonless, Starless Sky by Alexis Okeowo; An Unkindness of Ghosts by Rivers Solomon; Dunbar by Edward St. Aubyn; Her Body and Other Parties by Carmen Maria Machado (whom we interviewed recently); and We Were Eight Years in Power by Ta-Nehisi Coates. For more on these and other new titles, go read our most recent book preview.
"At first, I didn’t realize that AlexanderIII was translating the book; I thought he was just a fastidious Russian reader with a loose command of the English language. It was fun to see people debating the meanings of my thoroughly worked-over phrases...Then I remembered that no Russian publisher had acquired the rights, and realized that AlexanderIII must be translating it for some kind of book-pirating outfit." Over at The Atlantic, Peter Mountford recounts the experience of watching book piracy in action.
"How did a humble Canadian publisher—which got its start reprinting other companys' books—become the name most associated with romance? It's a long story, involving a peripatetic former fur trader and his opinionated socialite wife, a Procter-and-Gamble-trained Harvard MBA, some jilted Americans and a whole crowd of damned scribbling women." From Pictorial comes the story of "How Harlequin Became the Most Famous Name in Romance."