Fans of Moby-Dick should read Nathaniel Philbrick’s outstanding historical account In the Heart of the Sea. The book, which tracks the fate of The Essex, a New England whaling vessel sunk by a humongous sperm whale in the South Pacific, is vivid and harrowing. It’s also, as it turns out, only one of the naval catastrophes to befall George Pollard, Jr., The Essex‘s captain: a second wreck of his was recently located off the coast of Hawaii.
I’ve mentioned my love for the movie recommendation site Netflixia before, but if you find its selection a little predictable or tame, you should give try out some of the titles on Christopher Higgs’ list of “The 50 Best Movies on Netflix Instant.” (Note: some of the list’s images might be a bit racy for work.)
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
Read our own Kaila Philo’s essay on Toni Morrison’s new book The Origin of Others and then pair it with Nell Irvin Painter’s reflection on ‘Toni Morrison’s Radical Vision of Otherness.’ “Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color.”
“Many times, I’ve found that a book I once held in my hands becomes another when assigned its position in my library.” In The Paris Review, an excerpt on the art of packing (and unpacking) a library from Alberto Manguel‘s upcoming book, Packing My Library: An Elegy and Ten Digressions. Pair with: an essay on reorganizing one’s personal library.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
“The New York Times said goodbye to roughly a hundred editorial staffers, with a similar number gone from the Wall Street Journal. Condé Nast might be shuttering Details and Self and will possibly unleash a bloodbath in the fall. Time Inc., Meredith Corporation, and Prometheus Global Media—owner of the Hollywood Reporter, Billboard—and other outlets have all recently cut costs.” Noah Davis on online journalism and the current state of affairs for writers, over at The Awl. Pair with Kate Angus’s essay on making money as a poet.