Fans of Moby-Dick should read Nathaniel Philbrick’s outstanding historical account In the Heart of the Sea. The book, which tracks the fate of The Essex, a New England whaling vessel sunk by a humongous sperm whale in the South Pacific, is vivid and harrowing. It’s also, as it turns out, only one of the naval catastrophes to befall George Pollard, Jr., The Essex‘s captain: a second wreck of his was recently located off the coast of Hawaii.
Nothing if Not Consistent
On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
Frank O’Hara: 21st Century Poet?
In a piece for The Atlantic, Micah Mattix responds to the 50th Anniversary Edition of Lunch Poems with a reflection on the social media-esque quality of Frank O’Hara‘s poetry. “O’Hara’s Lunch Poems—like Facebook posts or tweets—shares, saves, and re-creates the poet’s experience of the world. He addresses others in order to combat a sense of loneliness, sharing his gossipy, sometimes snarky take of modern life, his unfiltered enthusiasm, and his boredom in a direct, conversational tone. In short, Lunch Poems, while 50 years old, is a very 21st-century book.”
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The Novel Doppelganger
Are you familiar with the concept of the novel doppelgänger? If not you should read this advice column, especially if you’re an aspiring author. What are the odds??
Okay, but the Sample Size Tho
“It’s possible that when it comes to books, we have overestimated the means of delivery and have underestimated the importance of the content conveyed in the media.” A recent study demonstrated that preschoolers demonstrated the same level of reading comprehension regardless of whether the story they were, ahem, consuming came in digital or analog form, reports MOBY Lives. For more on the print vs. screen debate, see Alix Christie on the persistence of physical books; and of course it would be criminal not to mention our own founder C. Max Magee‘s killer compilation The Late American Novel: Writers on the Future of Books.
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