In a move that will likely become more and more common, The Weinstein Company has inked a deal with Netflix to license some of its latest (and most critically acclaimed) films to Instant Watch instead of traditional cable outlets. Coriolanus, Undefeated, and The Artist will be among the first titles released. Elsewhere, Vanity Fair profiles Netflix’s “bloody but only slightly bowed” CEO, Reed Hastings.
Out this week: Our Little Racket by Anjelica Baker; Flesh and Bone and Water by Luiza Sauma; Night Thoughts by Wallace Shawn; The Supremes Sing the Happy Heartache Blues by Edward Kelsey Moore; and New Collected Poems by Marianne Moore. For more on these and other new titles, go read our most recent book preview.
PEN America has announced the longlist for its 2017 Translation Prize, including Deborah Smith for Han Kang’s The Vegetarian (see our review here), Carlos Rojas for Yan Lianke’s The Explosion Chronicles, and Victoria Cribb for Sjón‘s Moonstone: The Boy Who Never Was. (We profiled Sjón’s work at length a few years back!) The winner will be announced in February of 2017.
Arthur Ochs Sulzberger, who served as publisher of The New York Times and as chairman and chief executive of The New York Times Company, died yesterday at the age of 86. Over at The New Yorker, you can check out an interesting round-up of recent articles they’ve done about Sulzberger and his 34-year-long tenure with the paper of record.
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)