In a move that will likely become more and more common, The Weinstein Company has inked a deal with Netflix to license some of its latest (and most critically acclaimed) films to Instant Watch instead of traditional cable outlets. Coriolanus, Undefeated, and The Artist will be among the first titles released. Elsewhere, Vanity Fair profiles Netflix’s “bloody but only slightly bowed” CEO, Reed Hastings.
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.
December 26, 1962 marked the first time that Playboy Magazine ever used the phrase “turn-on.” Since then, humans have conceived of a remarkable variety of metaphor and colorful language in an attempt to try and make some sense of copulation. Over at Hazlitt, Chelsea G. Summers takes a close look at the increasingly electric language of sex. Unsurprisingly, sex is never far from the mind of a literary writer, either.
In 2006, Gene Luen Yang became the first graphic novelist to be nominated for a National Book Award. Yang earned a nomination in the Young People’s Literature category for the graphic novel American Born Chinese. Now Yang has been nominated a second time, again in the Young People’s Literature category, for a new book, Boxers and Saints. Francoise Mouly and Mina Kaneko talk with Yang at Page-Turner. (You can also read our interview.)