A Nerdist podcast featuring Wil Wheaton and Wilco’s Jeff Tweedy in which Tweedy discusses his path to becoming a musician, how his kids like having “a rockstar for a dad,” and lets listeners in on their sound check at The Wiltern? Well, there goes your Monday afternoon.
Nerdist Wilco
Oddest Titles of the Year
Nominees for The Bookseller Diagram Prize for the Oddest Title of the Year have been announced. My favorite, which to me is not odd at all actually, is Bacon: A Love Story. Scatology abounds in this list, including: Peek-a-poo:What’s in Your Diaper, and The Origin of Faeces.
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Along “The Colbert Bump”
“The Colbert Bump didn’t get so much media attention and public support because everyone wanted to talk about me and my novel. People wanted to support book culture, to say that books and writers matter, and that we should be doing everything we can to ensure their continued existence, if not their success. In short, The Book is not dead!” Our own Edan Lepucki and Stephan Eirik Clark talk about their experiences as debut authors on “The Colbert Bump,” and the piece pairs nicely with Edan and Millions staff writer Bill Morris‘s article about the many paths writers follow to publication.
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The Best of Young British Rankings
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Bubbles and Zeroes
There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma — what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.
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Becoming No One
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.
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2010 Best Translated Longlist
Three Percent has unveiled the longlist for its 2010 Best Translated Book Award. Roberto Bolaño, J. M. G. Le Clézio, and Orhan Pamuk all made the cut.
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