Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI‘s prevailing editorial principle is: “Is this boring? Is this safe? If the answer is yes, then it’s not for us.”
LARB talks TNI
Good Company
What do you get when you combine Jorge Louis Borges, Vladimir Nabokov, Pablo Neruda, and W.H. Auden? You get a list of the losers of the 1965 Nobel Prize in Literature. The prize was won by the controversial Soviet author Mikhail Sholokhov, who had spoken out against granting the Nobel to Boris Pasternak a few years earlier. Not such bad company on the losing side, there.
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Not for Us
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
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Seduction Through Literature
At The Paris Review Daily, Sarah Fay ruminates on her questionable practice of using literature to seduce men: “Wasn’t I just trying to bribe men hungry for something to read? … How could I deliver book recommendations for an entire marriage?”
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“The pull of the East, of Islam”
“Part of the allure of Bosnia for westerners, I think, has been the surprising nearness of the East. To put it more bluntly, and problematically: in Bosnia the East is tamed, less scarily dogmatic.” Elvis Bego draws a parallel with Madame Bovary at Bookslut.
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No More McNuggets
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
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