Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.
When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
Modern day celebrities aren’t the only victims of Photoshop. Paula Byrne, a Jane Austen biographer, believes that Austen has been “airbrushed” on her £10 Bank of England note. The portrait makes her look like “a pretty doll with big doe eyes” and diminishes her reputation as an author, Byrne argues.
New Directions releases César Aira’s The Hare this week. The novel was featured on our Great Second-Half 2013 Book Preview not long ago. Today also marks the release date for David Foster Wallace and Mark Costello’s Signifying Rappers, which is being re-released by Little, Brown.
Newsweek Senior Writer (and Millions contributor) Alexander Nazaryan has a new interview with William T. Vollmann up on Newsweek’s website. To start things off right, he reports that if Vollman were to win the Nobel Prize, he’d enjoy giving a decent chunk of the prize money to prostitutes.