Remember a few weeks ago when Paul Bogaards was kind enough to list us onto his Hierarchy of Book Publishing: The Top 100? We were entry no. 67, not nearly so powerful in the book publishing world as the original publisher of Kathryn Stockett’s The Help, Amy Einhorn; her hair was entry no. 4. Though we were deemed slightly better than New Jersey, which was listed at no. 68. We even posted a curiosity about it. Well, the New York Observer’s got a follow up piece on the joke, and is calling the original Tumblr post a flame out. Bogaards takes a different tack, saying that his Twitter and Tumblr streams are “a curation of industry anxiety. Interspersed with humor. And cocktails.”
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
Inua Ellams wrote a poem entitled “Portrait of Prometheus as a Basketball Player” in which he imagined “the fire stolen from the gods to be shaped as a basketball, and Prometheus dunking light into the world.” [Note: Ctrl + F for “Portrait of Prometheus” at this link to read the poem.] Over at Magma, Ellams discusses “the process of composing a poem, as a coach might stitch a [basketball] team together.” Perhaps all of this explains Patricia Lockwood’s interest in Shaquille O’Neal?
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
Over on LARB, Marie Rutkoski traces the geneology of Cinderella and explores the theme of nature that runs through the classic fairytale’s many iterations. It’s also well worth revisiting Kirsty Logan’s piece exploring how contemporary authors have revisited the story of Snow White.
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”