Seven Stories Press is publishing three volumes of a Graphic Canon, which will illustrate and panel everything from The Epic of Gilgamesh to Infinite Jest. Their first volume, Gilgamesh to Shakespeare to Dangerous Liaisons will be released on May 22nd.
How Do You Illustrate Footnotes?
Digital (and Australian?) Shakespeare
Now that the Folger Shakespeare Library is working to digitize the complete works of the bard, it’s worth asking the question, just what did that dude sound like?
The Curious History of a Curious Account
Our own Michael Bourne takes a look at Thomas King’s Inconvenient Indian, which struggled to find a publisher in the United States despite flying off the shelves in Canada. “The curious publication history of [the book],” Bourne writes, “serves as a window into the wide differences in the way mainstream Americans and Canadians view the Native peoples in their midst.”
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Empathy for the Devil?
Ruth Franklin of TNR probes the weaknesses of American novels about terrorism.
A Complete Reading
Recommended Reading: From The New Yorker, it’s Tessa Hadley on fiction as anthropology: “When I’m writing a story, its world is thin, unsatisfactory, untrue, until I start to find my way to those details, those ‘small cultural signifiers.’ As these accumulate on the page, the life in the piece thickens, the details breed, and the story begins to stir.”
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Wetlands
Recommended Reading: Blake Morrison on the literature of England’s flood-prone east coast.
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End of an Era
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.