Seven Stories Press is publishing three volumes of a Graphic Canon, which will illustrate and panel everything from The Epic of Gilgamesh to Infinite Jest. Their first volume, Gilgamesh to Shakespeare to Dangerous Liaisons will be released on May 22nd.
Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
Tonight at Columbia: A conversation with Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and most recently Super Sad True Love Story. Moderated by McKenzie Wark, professor of media and cultural studies at The New School and author of Gamer Theory. “Rewiring the Real” at 6:30 P.M.
Over at ZYZZYVA, Christian Kiefer talks to playwright Octavio Solis and novelist Scott Hutchins about the craft of writing and the difference between writing plays and writing novels. “It takes a huge amount of hard labor, man, to harness the forces that we are using to make our stories. They may emerge whole cloth out of our need to know how we operate as humans, but they’re often clumsy unfinished beasts.” Kiefer’s new novel, The Animals, is one of the most anticipated books of 2015.
We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard‘s review of McEwan’s Sweet Tooth. And of course there’s Atonement, which comes up in a variety of Millions articles, from Michael David Lukas‘s essay on the polyphonic novel to Seth Sawyer‘s recent piece on food and reading.
Late November brings work of another favorite Madrileño to the forefront. The final book of Javier Marías‘s Your Face Tomorrow trilogy, Poison, Shadow, and Farewell, will be published at the end of the month by New Directions. The incomparable Marias will make two New York appearances, a reading at the 92nd St Y (with Paul Auster) and a conversation with Paul Holdengräber at the New York Public Library.