Patrick deWitt, author of The Sisters Brothers (which our own Mark O’Connell reviewed last October), expected Harry Mathews’ novel The Journalist to be a “terrible flop,” but soon found it was “every bit as great as Mathews’ more celebrated novels.”
“I’ve learnt so much from this profound novelist about nuance, understatement, technique.” Eighteen handwritten homages to Jane Austen by well-known writers are up for auction until tomorrow. Margaret Atwood, Kazuo Ishiguro, Hilary Mantel, and Ian McEwan are among the authors whose tributes will raise funds for the Royal Society of Literature, reports The Guardian. And read our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.
The New Yorker has been hosting a Twitter game show, and this time around the contestants were words and in a macabre turn each word was berated by the audience, the people calling out for the death of that contestant. One word was forced to ultimately bite the bullet and will no longer be welcome in the magazine’s next issue. Tragic.
“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
“The morning after the opening sentence took shape, Heller “arrived at work”—at the Merrill Anderson Company—“with my pastry and container of coffee and a mind brimming with ideas, and immediately in longhand put down on a pad the first chapter of an intended novel.” The handwritten manuscript totaled about 20 pages. He titled it Catch-18. The year was 1953.” Happy Birthday Joseph Heller, author of the anti-war classic Catch-22, born this day in 1923 in Coney Island, New York.